Photographing Teddy, Part One - Page 2

Lighting Your Shots

On occasion you might serendipitously encounter the perfect

photography day - warm and bright, but also partly cloudy

or hazy - impeccably suited for excellent outdoor photographs

due to the naturally diffused softness of overhead light bouncing

around everywhere.  However, you cannot count on perfect

weather to enable your photography. 

That is why I can’t emphasize strongly enough the importance

of using a LIGHT TENT or LIGHT BOX. 

For the amateur photographer, this is a reliable lighting solution

both in terms of cost and user-friendliness.  

A light tent softly diffuses artificial lighting, bouncing light around

your subject to eliminate harsh shadows and illuminate every tuft

of fur, wispy ear edge or sparkling eye highlight, in a most pleasing

and professional way. 

Hand Made

You can buy a light tent, or you can easily make your own,

using PVC pipes, a few plastic elbow connectors and end caps,

and a length of translucent PURE WHITE fabric (other colors

will throw unwanted color casts onto your subject.)  Most

home improvement stores will cut your PVC to size, free,

at the time of purchase, so when you shop, bring your desired

light box dimensions with you.

Sketch of a Light Tent You Can Make Yourself

Variables

The dimensions of your tent will be determined by the size

of your bears, and by the amount you want to shoot at one

time. 

Space constraints in your home will also be a consideration. 

Let your own particular needs dictate your ultimate design.

Considerations

This brings me to the issue of the lights themselves. 

I could speak endlessly about cost per bulb, life expectancy

of certain bulb types, and personal preferences. 

In the end, though, it doesn’t really matter how you light

your shots, as long as you set your camera to correspond

with your lighting choice and provide PLENTY of light. 

Remember: In the search for color-true photographs where

white balance is set and used as your baseline, “white” will

never really be “white” if you don't hit it with enough light. 

More is Not Enough!

So, pour those lights on! Get things so bright that you

can hardly stand it; so bright that, even if you’re using

fluorescent bulbs – which I use exclusively – you’re beading

up with sweat after two minutes. 

That is how much light you need to take a showcase quality

photograph. 

Think about the sweltering lights of a “portrait sitting” or

“movie set” and you’ll understand what I mean. 

It may help you to learn that I use a total of fourteen,

four-foot fluorescent tubes AND a clip-on halogen “hair light”

(for highlight) in my photo studio.  I think I should probably

add several more.

One last point:  Even in dark

conditions, don’t use your flash. 

Your flash will tend to “flatten” your

subject, removing any sense of three-dimensionality, and usually casts harsh

and unflattering shadows in the process. 

When it comes to flash photography,

unless you really know what you’re doing, just… don’t… do it.